CHELSEA WOLFE HYPNOS LYRICS PLUS
Imagine the fluttering of my heart when I had the opportunity to speak to her in anticipation of her April 26 show at Sister.Īlibi : What was the first music you made like?Ĭhelsea Wolfe: I recorded my first song when I was around nine years old with Casio keyboard beats and sounds, plus my voice. Despite all the distance I have from that summer when I was first introduced to her music, Chelsea Wolfe remains an unfailingly captivating musician. More expansive than ever on this, decidedly the heaviest of her five studio albums, Wolfe's vocals dovetail with her guitar, reaching powerful heights on tracks like “Iron Moon” and “Dragged Out.” Abyss echoes Wolfe's earlier work, but in every track a new, broader sound is evident-alternately dense and minimal, the lyrics reveal vulnerability while Wolfe's voice never loses its power. Abyss equals much more than the sum of its fuzzed out guitar and thudding industrial synth, and it's Wolfe's confident voice that is the album's spine. The voice of Chelsea Wolfe on that 2011 album is quite different than the one on her most recent album, Abyss. The whole of Apokalypsis was instantly in my music rotation for the remainder of that marginally employed summer. Shaina HedlundIt was the summer of the height of my tumblr obsession (and swishy shorts and cut off t-shirts for that matter) when a trail of feminist blogs and clicks led me to the audio-only YouTube post of “Pale on Pale,” the ghostly, washed out track on Chelsea Wolfe's second studio album.
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